My solo show in Santa Fe at the Meyer Gallery has been rescheduled to December 4 – December 10, 2020. I will be releasing paintings for the show available for purchase throughout the weeks/months running up to December. So please let John, Jonathon, and Jordan at Meyer Gallery know of your interest so they can alert you as soon as they get the paintings.
I’m on TV! Back in October of last year, I spent a day of filming with the crew of “Artful” a documentary series featuring Utah and nearby artists. It was a wholly new and fun experience. I share the episode with artist Justin Wheatley. In the episode I share my studio process, my studio space and the inspirations behind my paintings. Please tune in tomorrow, Sunday May 31 at 11:30 am and 3:00 pm Mountain Time. The episode streams here.
I write this post from the safety of home. I wish everyone and their loved ones wellness and kindness during these difficult times. Today I share a recent drawing that has uplifted me. The clasped hands are symbolic of our togetherness even in the midst of social distancing, and the birds are symbolic of hope and love. The drawing has inspired me to create a series of paintings for my Santa Fe show at Meyer Gallery later this year (scheduled for August 28) focusing on the theme of togetherness and resilience.
I am very happy to announce my solo exhibition of new paintings—Florilegium— at the Meyer Gallery in Park City, Utah. An opening reception will be held this Friday, February 28th from 6-9 p.m. during the Park City Gallery Stroll.
florilegium: a collection of literary extracts (an anthology)
from Early 17th century modern Latin, literally ‘bouquet’ (from Latin flos, flor- ‘flower’ + legere ‘gather’)
My inspiration for this body of work came from a desire to combine the language of flowers with an anthology of poetry. I selected poems and imagery that are evocative of paradise gained and lost. “The Lovebirds”—a double portrait of a couple in love inspired by William Shakespeare’s song It Was a Lover and His Lass—is full of the promise of springtime and conjugal happiness. In contrast, “Evanescence: Hand with Hummingbirds and Orchids”—inspired by Emily Dickinson’s poem Evanescence—depicts the precariousness of nature, with fires consuming the rainforest in the background. “Xanadu” and “The Lotus-Eaters” beckon us to escape into dreamlands which are full of beauty, mystery and danger. Please click on individual images below to see more of the painting and to read the accompanying literary excerpt.
Thank you to everyone who has made 2019 a wonderful year full of good friendships and milestones. I wish you all a prosperous and happy 2020. To celebrate the New Year I am releasing three new hand paintings. I found myself lately longing for the delicacy of these intimate little images and have several new hand compositions planned for 2020. Paintings shown below are now available at the Meyer Gallery in Santa Fe.