"These jewel-like paintings intuitively fuse different aesthetic traditions, folk art and old master, with natural grace and an uncanny quality that may be a species of magic." —American Arts Quarterly
Many many thanks to Sébastien Escande (aka Barbe à Pop) for producing this little book (a true micro edition of 100). I was so surprised when he contacted me late last year and told me he wanted to have some of my work in this book. He’s quite an arts activist with film, music, and book projects… all for the love of getting ‘stuff’ out there… so very cool and admirable (and the arts need more people like him). The Grand Salon de la Micro Edition #4 festival has come and gone early this year (it was all rush rush) and finally a few weeks ago I received a package from Lyon, France with a few books (my works and previous editions he produced)… Anyway, I’m just very thrilled and happy and wanted to share with you. This little keepsake is available for 5 euros here.
Winter is my busy creative season – not much else to do when it’s so cold outside. As result, I haven’t been posting much. But now I have some miscellaneous updates. I am working on some gouache experiments (more on those later). Shipped out new paintings to Park City (more on that later too). Then got my haircut which I should do more often because I came home to unexpected news. One is a heads up from Google alert that Edible Austin’s Winter 2009 issue features “Peaches” painting in an editorial “Edible Pocketbook: The Myth of More” by Helen Cordes. I hope it’s in the hardcopy of the magazine as well.
The other big news is from Wally Workman letting me know that “Crowning the Grand Sow” has sold. I particularly love this painting not only for its mysterious allegorical imagery (it gives me a warm fuzzy) but also because I’ve fiddled with it for a year. I chronicled its creation in this painting demo post.
Other miscellaneous and edible stuff: This past weekend I watched the movie Julie & Julia with Meryl Streep as Julia Childs and Amy Adams as writer/blogger Julie Powell. Loved it. It speaks to my obsessive self, of learning a craft and creating for sheer love or compulsion. Katha Pollitt’s review of it is so right on:
What I loved most of all, though, was that Julie & Julia is that very rare thing, a movie centered on adult women, and that even rarer thing, a movie about women’s struggle to express their gifts through work. Not a boyfriend, a fabulous wedding, a baby, a gay best friend, a better marriage, escape from a serial killer, the perfect work-family balance, another baby. Real life is full of women for whom work is at the center, who crave creative challenge, who are miserable until they find a way to make a mark on the world. But in the movies, women with big ambitions tend to be Prada-wearing devils or uptight thirtysomethings who relax when they find a slacker boyfriend or inherit an adorable orphan. Among recent films, Seraphine, Martin Provost’s biopic about an early-twentieth-century French cleaning woman and self-taught painter, is practically unique in its curiosity about a woman’s creative drive. More usually, a woman’s cinematic function is to forward, thwart, complicate or decorate the story of a man. As Joseph Gordon-Levitt’s elusive girlfriend in (500) Days of Summer, Zooey Deschanel has all the external trappings of individuality–aloofness, a sly smile, vintage clothes and indie tastes–but she has no more inner life than Petrarch’s Laura. She’s there to break the hero’s heart and rekindle his ambitions. What will she become? Someone else’s wife. – Katha Pollitt, The Female Gourmet
BTW, I did almost enroll at Le Cordon Bleu back when I thought I had better find a backup plan in case painting didn’t pan out. Luckily I had a husband who told me I painted better than I cooked.
This year I wanted to connect more with family and friends. I’m usually lazy at keeping in touch, but with practice I’m getting better. I still don’t call my mother as often as I should but I’m working on it. I believe that every person is a gift. My twitter and facebook buds make me laugh and think with their updates. Helpful strangers have opened opportunities or given advice. My family and good friends have my back even from miles away. Some people I’ve lost touch with but they’ve shaped me nonetheless. My galleries treat me well and support my art and I thank them for making business a pleasure. Even people less than kind have made me more resilient. I am grateful for everyone, most especially my husband and darling dog. They are the greatest gifts because they bring out the best in me and forgive me when I’m at my worst.
“Young Woman with a Cupid” is featured in Oxford American Magazine’s The Southern Literature Issue 2009, No. 66, paired with “Rick Bragg Laments His Absent Muse.” See it online here. Hits newsstands this week. I’m so grateful to be included among other wonderful artists and great writers.
Here, where the history of writing is so deep and rich that magic, surely, must be involved, the craft comes with a dance card of legend, myth, and pretension. Could mortal men and women tell stories so well? Or, through an open window did inspiration come? – Rick Bragg
So happy to see my favorite novel, As I Lay Dying by William Faulkner, made it as #7 on their literature poll, Best Southern Novels of All Time. It’s been years since reading it, but I remember how much it made me laugh and cry. I’m going to have to get a copy and read again.
I once heard a poet say she never reads novels. When asked why, she said, “Because I always get about twenty pages in and then realize, hmm, THIS isn’t As I Lay Dying.” In comparison, everything else is a bit of a disappointment. – Keith Lee Morris