I’m on TV! Back in October of last year, I spent a day of filming with the crew of “Artful” a documentary series featuring Utah and nearby artists. It was a wholly new and fun experience. I share the episode with artist Justin Wheatley. In the episode I share my studio process, my studio space and the inspirations behind my paintings. Please tune in tomorrow, Sunday May 31 at 11:30 am and 3:00 pm Mountain Time. The episode streams here.
I write this post from the safety of home. I wish everyone and their loved ones wellness and kindness during these difficult times. Today I share a recent drawing that has uplifted me. The clasped hands are symbolic of our togetherness even in the midst of social distancing, and the birds are symbolic of hope and love. The drawing has inspired me to create a series of paintings for my Santa Fe show at Meyer Gallery later this year (scheduled for August 28) focusing on the theme of togetherness and resilience.
I am very happy to announce my solo exhibition of new paintings—Florilegium— at the Meyer Gallery in Park City, Utah. An opening reception will be held this Friday, February 28th from 6-9 p.m. during the Park City Gallery Stroll.
florilegium: a collection of literary extracts (an anthology)
from Early 17th century modern Latin, literally ‘bouquet’ (from Latin flos, flor- ‘flower’ + legere ‘gather’)
My inspiration for this body of work came from a desire to combine the language of flowers with an anthology of poetry. I selected poems and imagery that are evocative of paradise gained and lost. “The Lovebirds”—a double portrait of a couple in love inspired by William Shakespeare’s song It Was a Lover and His Lass—is full of the promise of springtime and conjugal happiness. In contrast, “Evanescence: Hand with Hummingbirds and Orchids”—inspired by Emily Dickinson’s poem Evanescence—depicts the precariousness of nature, with fires consuming the rainforest in the background. “Xanadu” and “The Lotus-Eaters” beckon us to escape into dreamlands which are full of beauty, mystery and danger. Please click on individual images below to see more of the painting and to read the accompanying literary excerpt.
Thank you to everyone who has made 2019 a wonderful year full of good friendships and milestones. I wish you all a prosperous and happy 2020. To celebrate the New Year I am releasing three new hand paintings. I found myself lately longing for the delicacy of these intimate little images and have several new hand compositions planned for 2020. Paintings shown below are now available at the Meyer Gallery in Santa Fe.
My book Spellbound is one of the selections for the 2019 Texas Book Festival, one of the largest and prestigious literary festivals in the country. Please join me at The Contemporary Austin – Jones Center as I speak and converse about the book and my paintings on Saturday, October 26, from 12:00 p.m. to 12:45 p.m. followed by a book signing from 1:00 p.m. to 2:00 p.m. I very much look forward to meeting you at the festival. If you are unable to attend the festival but wish to purchase a signed copy of Spellbound you may obtain a copy from the official festival bookseller, Bookpeople, or from the Meyer Gallery in Santa Fe, New Mexico. Spellbound is also available wherever books are sold.
The 24th annual Texas Book Festival will be held October 26-27, 2019. The Festival runs from 10 a.m. – 5 p.m. on Saturday and 11 a.m. – 5 p.m. on Sunday. The Texas Book Festival Weekend is free and open to the public and takes place in Austin, Texas, at the State Capitol and surrounding grounds. Please visit the festival website at texasbookfestival.org for more information on attending the festival, book sales and book signing, and event schedule. There are 300+ authors at the event including U.S. Supreme Court Justice Sonia Sotomayor, John Grisham, Alexander McCall-Smith, Malcolm Gladwell and Pulitzer finalist Susan Choi.
Spellbound has been a labor of love of nearly two years. It is a collection of nearly 200 of my most beloved paintings from 2008-2018 along with essays on recurring themes and inspirations and my journey as an artist. It is published by the Unicorn Publishing Group from the United Kingdom.
Spellbound is the first book-length retrospective of Fatima Ronquillo, a self-taught painter who was born in the Philippines, came of age in San Antonio, and resides in Santa Fe. The Spanish and American colonial histories of these three places—and the uneasy blend of cultures that resulted there—is a subtle presence in Ronquillo’s work, where Old World techniques rub elbows with tropes drawn from Latin American magical realism. The world of Spellbound is one that marries traditional portraiture with a subversive sense of drama and playfulness. Ronquillo’s stately subjects gaze out with a regal or military bearing while angels and animals flit mischievously around the margins. Dogs wear their master’s tearful eyeballs as collar jewelry, cherubic boys clutch writhing snakes in their fists, and nuns adorn their habits with ungainly floral towers and spritely jungle monkeys.from Unicorn Publishing
Spellbound contains more than one hundred eighty color images of Ronquillo’s lush and deadpan oil paintings, the studies and sketches for several other works, and an introduction from noted arts writer John O’Hern.
I am so honored to be a part of the festival not only as an author but as a past official artist for the 20th Anniversary of the festival in 2015.