Fatima Ronquillo’s new paintings come across as Wes Anderson directing the ghost of José Gil de Castro in rendering a series of children’s portraits influenced by Edward Gorey. But you don’t have to grok our transcultural  meaning to appreciate the sublime, enigmatic beauty of these oil-on-panel wonders…. ~ The Austin Chronicle, April 5, 2013


Returning to Austin for a show is like coming home, seeing old friends and revisiting favored haunts. Wally Workman’s peach and chartreuse building was as welcoming as ever. There are more photos to be seen on the gallery’s blog. Thank you to all those who attended and gave their support. For those who missed it, the show closes on the 27th, so do stop in and check it out.


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