sketch and underpainting using white and Gamblin asphaltum – support is real gesso (rabbit skin glue and marble dust) on panel toned with yellow ochre
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"These jewel-like paintings intuitively fuse different aesthetic traditions, folk art and old master, with natural grace and an uncanny quality that may be a species of magic." —American Arts Quarterly
sketch and underpainting using white and Gamblin asphaltum – support is real gesso (rabbit skin glue and marble dust) on panel toned with yellow ochre
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